I have been working purely digitally for a while, which I love - but I always end up with a hankering for the human presence of the hand, and the alchemy of materials. Above is a watercolour from one of my sketchbooks, with wax resist and simple, free pen lines, which I made a while ago. I am very interested in designing patterns which could contain this freedom, I haven't figured it out yet, but it's something which has been going on in the background of my mind for over a year. Also, I haven't a clue which pen I used to worked on wax! It has bonded perfectly with the resist - experiments required (and possibly a lot of spoilt pens).

Above is a set of six little monotypes from the same sketchbook. I have always loved making monotype drawings. Using a glass plate rolled with printing ink or oil paint, paper is placed over the plate and I draw on the paper. It means when the paper is peeled away from the plate it reveals a mirror image of the drawing plus accidental smudges and textures. These surprises are exciting, and I use the technique both for illustration and in my Heather Eliza drawings.

This week I began to isolate sketches from my book (I did write about getting my jugs out and working with them, but NO, that's SO wrong!! Raised a few laughs on Instagram, though) . Here is a rudimentary something I put together as an experiment. The original monotype drawing was made on hand-made bark paper which supplies the lovely colour and texture for the fuzzy ink lines, cut out and placed over a digitally created linen-weave background. It may take a while, but I'll see where I go with this.

PS: I decided not to do Inktober on Instagram this year, I just have too many pots on the boil at the moment. I was tempted, but focus is required.

A collage of drawings based on patterns on Japanese Washi tapes. This was so much fun to do, finding ways to apply patterns to household objects and develop related themes to go with them, and it makes me think of mood boards.

Thanks for visiting, see you next week!

Folktale Week began on Instagram this week, I love seeing all the different interpretations of the prompts! This is my post for Day 1, Home: the wanderer returns to a warm welcome. This year I am working with a hybrid technique, this is a watercolour with drawn plant shapes and frosty roundels in white Rotring, with gouache colour accents. I scanned it and and worked it further in Procreate, adding the cat and a few other elements to suit.

Look for #folktaleweek2019 and follow the hashtag to see hundreds of super-talented illustrators all working in different ways!

​Thanks for visiting, see you next week

This week I made a pattern from townhouses inspired by Edinburgh terraces. I enjoyed the drawing work, I found plenty of scope for imagination.

Architecture is finding its way back into my work since the house move from rural Perthshire back to Dunfermline town, Fife, where I was born and grew up. I now have familiar views from my work room over lovely houses and an abundance of trees and gardens. My Dad was an architect, and I used to work in his studio during school holidays; I still have many of his architectural plans and drawings.

It is interesting that fewer midges, other insects, and plant life are appearing in my work now - it is great fun to introduce them to buildings in drawings (not literally!)

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Monday: I finished the linear flower drawing I was working on during  the previous week.
Tuesday: a mock-up for some colour ideas for a pattern.
Wednesday: I began work on a coloured version of the linear flowers, painting with gouache.
Thursday: I completed the gouache work when it filled the entire sheet of paper.
​Friday: i played around with different coloured stems and backfill fronds.
Then, over the weekend I took scans of some the sprigs in the drawing and cleaned them up. They look pretty and full of character which I like, I am sure they will come in useful.

​Thanks for visiting, see you next week!

I made a return to working with my hands this week, as opposed to digitally!

Procreate on iPad was a miracle during the house move, requiring no space or materials other than a stylus and a charger which enabled me to continue to work and generate new ideas (when there was time). I created some digital work which I find truly wonderful - see last week's post.

At the beginning of this week, however, I was struggling with it. In the end I became aware that I was trying to replicate my freehand drawing methods and it wasn't working for me. I tried every brush and everything the digital brushes could do, but I was going silently mad in the process. I know there are artists out there who effortlessly produce work in Procreate and create their own brushes to suit, and I can't tell the difference between their digital and hand-made works, but I was spending hours - days and hours - and getting frustrated and wasting time producing hellish, ugly, stiff, overwrought works.

In the end I thought that was nuts. My studio is well enough organised now to be able to work by hand and get it into Photoshop. I set up my room so I have a drawing table and a Mac table with a large enough monitor to finish hand drawn and painted work for Redbubble merchandise, so here is what I came up with: a floral watercolour which became a very lovely pattern, a home-made rubber stamps design (ditto), and a cyan line drawing of a spaced-out cat in a garden which I don't know yet what will become.

I will continue to work in Procreate, it is an amazingly powerful tool for iPad and I enjoy using it. I have created many works over the past year, discovering fascinating ideas which I wouldn't have happened without it (see previous posts!). But I have to say it was lovely to get out the pens, pencils and watercolours again, too.

Thanks for visiting, see you next week!

PS I will be linking to my Redbubble shop, it just doesn't have very much content yet!