This week, some of my monsters developed two heads! - inspired by insects which often display a big scary face on their body or wings which isn't actually their face. At long last I worked out how to make Reels on Instagram with the image top left, above, and set it to "What's that coming over the hill" by The Automatic - great fun.
Still working in my sketchbook, I developed the floral theme a little further with my adoration of ikebana. I love the gravity-defying weirdness where truth is indeed stranger than fiction as they spring from preposterously tiny vases or shallow bowls apparently supported by nothing but moss.
I am also preparing some textured Fabriano Rosaspina, a heavy card-like printing paper, for stand-alone works. I'm getting texture by adding whiting to my primer and using lots of scumbling.
Yesterday I had some weekend fun making small yellow flowers from one of the paintings into a repeat pattern, which I am calling Pansy Riot. Can't wait to see it on some products.

Oh, the joy! Real paper, real paints, real everything again. Overnight this week it suddenly became spring, and there was warmth in the sun meaning I could get back into my work room. It's freezing in there and dark over the winter, but this week I opened it all up again and the absolute joy of natural work spilled out all over! So exciting - I have wanted to paint monsters for ages, so I started work immediately with a wild prolific madness. I am so genuinely happy!

Don't get me wrong, I thank the Lord (and B!) for my iPad Air which has enabled me to keep producing through the most difficult of times, not just cold weather but during my parents' decline in health, the subsequent house move, and selling our former house during the horribly difficult times of the Covid plague. Periods when I didn't have a room at all, just shuttling back and forth in a car or a removal van and providing for wonderfully supportive friends who pitched in to help. Recently I have derived immense satisfaction from finding a way to make perfect patterns with basic technology digitally 'by hand' that's not actually carving woodblocks, and I've come a long way without Adobe products or automated patternmakers. 
Being a trained painter, though, nothing beats the mess and randomness of the studio and I am so, so happy to be back. The freedom!
I should also mention B and I had our first dose of Oxford AstraZeneca exactly one week ago today. It was an extremely well-organised event, really quite an exciting and pleasant experience with wonderful and competent NHS staff and heating in every booth. No side effects or symptoms to report, we should have some level of protection by next week.

A mid-week bonus post - I finished a much softer rose brocade I have been working on at the same time as the watercolour texture patterns. The daffodils are out and spring is definitely on its way, so I used lots of daffodilly yellow against silvery grey to celebrate, and made these two shy little drawings. I particularly enjoyed the Roses marmalade jar drawing.

I went to town with the watercolours this week, loving the richness textures add to the brocade patterns.