 Folktale Week 2020 has just finished, the most enjoyable week on Instagram. People are just so talented it blows me away! Different artists’ interpretations of the prompts were so unique, original and personal I felt quite daunted, if I’m honest - and proud to be involved. For the next few weeks I’ll share the illustrations I submitted here on The Weekly. This year’s FW began, appropriately, with the prompt Birth; after much thought, I decided to make an illustration of a birth commemoration plate for a kitten. I chose a kitten because of the cat themes running through my work, and of course the name ‘Binky’ being that of all my great-grandmother’s cats. Based on by my own birthday plate (quite vintage now, ahem) I also sought inspiration from contemporary British and international ceramics, having studied ceramics in London for four years; plus, of course, I see so many beautiful examples on show whenever I visit the galleries in Edinburgh.  I grew up associating storks with babies because of this birthday plate. My brother has one, too, and they were objects of high mystical drama to us as children.
Only this week did I think to look into why storks are associated with babies, and if course there are many differently legends spanning just as many cultures. My favourite: Hans Christian Andersen’s fable The Storks, in which the birds pluck babies from a pond where they lie dreaming, waiting to be delivered to ‘families of good children’. I love the idea of dreaming babies (or kittens, or anything waiting to be born) lying in a pond which in my mind symbolises the womb, with the water symbolising amniotic fluid. I don’t know if that was the original intention of HCA, or if it’s just me being Freudian, but I would love to make an illustration of that some day. For now, however, I am getting back to that children’s book (nearly finished!) plus another exciting project I have lined up for the new year. Thanks for visiting, see you next week! Comments are closed.
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Welcome to my illustration blog! I usually post here on Sundays, sometimes adding a mid-week post to keep a work journal.
I illustrate under the pen-name of Binky McKee, McKee being my mother's maiden name. Binky was the name of every single cat my great-grandmother kept - about 40 of them during her 94 years of life. Given that, I have no idea how Doggie with his dead-pan expression became my avatar instead of a cat - something to do with popularity on Instagram and lots of jokes with him! Must get a photo of my own face at some point. Currently I am working on illustrating a children's book, pattern making, and of course I can't resist a good Instagram challenge such as Folktale Week or Inktober. I hope you enjoy your visit! ~~~~~~~~~~~~~~~~~~~~~~
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I keep lots of scrapbooks and sketchbooks where I develop ideas and design little creatures. Here's a peek inside one ...
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As you may know, I am also known as Heather Eliza Walker.
Click the image if you would like to find out more and visit my other website. ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~
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October 2021
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This time, take a peek into my ceramic design sketchbook. I actually made some of the mugs, but I kind of prefer the drawings! The plate designs are painted on paper plates, a most liberating process.
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These watercolours are from my pattern sketchbook. I used coloured wax crayons to resist the washes of watercolour, also home-made rubber stamps dipped in bleach then printed on crêpe paper - the bleach takes out the paper dyes.
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A sketchbook I used for mark-making with unusual objects - corks, seed-heads, feathers, home-made rubber stamps, my fingers and lots of flicky things ...
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