In 2018 I made several artworks on the subject of crows. I do love crows, colonies of these beautiful birds inhabit the tall trees around our house. They combine the macabre - Nature's cleaners, carrion eaters - with their dark beauty and excellence as parents. I have seen two crows desperately nurturing a young fledgling fallen from the nest with such tenderness until it was strong and able to fly, defending it from all dangers every day and night. I have been revisiting those works, cleaning and clarifying, and making a stylised drawing to use in a pattern. I was hoping to have finished the pattern by today but it is still in tweaking process. The basis for the pattern came from my Birds and Berries pattern I worked in July which was beautiful, but way too subtle for reproduction as a textile, and recently I woke up one morning with the idea to replace the decorative birds I used originally with more edgy crows. I ran with that in the new, clear style and was much happier, a work in progress screenshot shown above. I am thinking of making prints from these cleaned-up originals, the poetry and inkiness of the crows has an otherworld quality. When my parents died I was convinced their souls were still inhabiting the environs of the house and garden in crow form, looking over me and protecting me, and I still look up to the trees and speak to them.
When I was living amongst the mountains of rural Perthshire a local farmer used to hang dead crows by their feet all around his lambing fields. He told me it was to deter the crows, who would come in the spring and peck the tongues out of the mouths of new-born lambs. The lambs would subsequently die because they couldn't feed. It's a gothic horror story of nature's wild, untamed force associated with crows. It adds to their frighteningly powerful dark side. I suppose lambs' tongues must be some kind of superfood for the crows' young, or perhaps a great delicacy, and I can't help being reminded of King Crimson's 1973 album Larks' Tongues in Aspic which I loved when I was in my mid teens. I will have an update of the finished pattern very soon, I hope - to go from bees to bottles in total mood contrast, I have to get on with making this years' Christmas cards this coming week! Thanks for visiting, see you soon! Comments are closed.
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Welcome to my illustration and patterns blog.
I illustrate under the pen-name of Binky McKee, McKee being my mother's maiden name. Binky was the name of every single cat my great-grandmother kept - allegedly about 40 of them during her 94 years of life. I changed the website address a few months ago, so some older links on previous posts are broken. If you click one of those and it takes you to a strange page, simply replace the .co.uk after the binkymckee. with weebly.com and it will work again. I hope you enjoy your visit! ~~~~~~~~~~~~~~~~~~~~~~
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I keep lots of scrapbooks and sketchbooks where I develop ideas and design little creatures. Here's a peek inside one ...
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As you may know, I am also known as Heather Eliza Walker.
Click the image if you would like to find out more and visit my other website. ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~
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April 2024
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This time, take a peek into my ceramic design sketchbook. I actually made some of the mugs, but I kind of prefer the drawings! The plate designs are painted on paper plates, a most liberating process.
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These watercolours are from my pattern sketchbook. I used coloured wax crayons to resist the washes of watercolour, also home-made rubber stamps dipped in bleach then printed on crêpe paper - the bleach takes out the paper dyes.
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A sketchbook I used for mark-making with unusual objects - corks, seed-heads, feathers, home-made rubber stamps, my fingers and lots of flicky things ...
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