 Before getting into the annual card-making session, I took a couple of days for a brief brainstorming session with pattern. I had bought a new duvet cover from George at Asda during the week and got interested in the old-worldly chintz pattern, so I traced it to see how it worked. Since August, when jungly tendrils first showed up in my 100 days of cats project, I have wanted to experiment with using them in patterns, so inspired by tracing the duvet cover pattern I had a very quick cutting out session and began to play with symmetry and half drops. These quick sketches don’t stand up to close inspection due to speed of work, I would need to design them specifically to flow as a pattern, but I find the movement and delicacy interesting.
Now I’m going to have to have another brain-storming session with card images, because I haven’t the slightest idea what to do for my Christmas cards this year! Thanks for visiting, see you next week Comments are closed.
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Welcome to my illustration blog, where I share what I have been up to during the week.
I illustrate under the pen-name of Binky McKee, McKee being my mother's maiden name. Binky was the name of every single cat my great-grandmother kept - about 40 of them during her 94 years of life. Given that, I have no idea how Doggie with his dead-pan expression became my avatar instead of a cat - something to do with popularity on Instagram and lots of jokes with him! Currently I am working on illustrating a children's book, pattern making, and of course I can't resist a good Instagram challenge such as Folktale Week or Inktober. I hope you enjoy your visit! ~~~~~~~~~~~~~~~~~~~~~~
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I keep lots of scrapbooks and sketchbooks where I develop ideas and design little creatures. Here's a peek inside one ...
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As you may know, I am also known as Heather Eliza Walker.
Click the image if you would like to find out more and visit my other website. ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~
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May 2021
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This time, take a peek into my ceramic design sketchbook. I actually made some of the mugs, but I kind of prefer the drawings! The plate designs are painted on paper plates, a most liberating process.
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These watercolours are from my pattern sketchbook. I used coloured wax crayons to resist the washes of watercolour, also home-made rubber stamps dipped in bleach then printed on crêpe paper - the bleach takes out the paper dyes.
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A sketchbook I used for mark-making with unusual objects - corks, seed-heads, feathers, home-made rubber stamps, my fingers and lots of flicky things ...
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