 I worked two more colourways of my latest pattern during the week. I like to limit the number of colours for such patterns to no more than five, plus a background colour. It partly comes from my training as a graphic artists in the print industry in the early-mid '90s, working with colour separations to produce one printing plate for each colour for the offset litho process. I enjoyed seeing how an image was composed by unravelling the colours.  Below is a photo of a little Christmas card I had made at the printers back then, the colour separations can be seen clearly because something I loved to do was emphasise the hand-made quality by making the separations miss here and there. The negative spaces are activated and appear white because of the surrounding colours, although it is printed on a buff coloured laid paper. Interestingly, I bought a new duvet cover from George at Asda recently where the designer had done exactly the same thing in making the separations 'miss', which adds a considerable amount of charm to the pattern.  More recently, when I was working on the daisy pattern based on a 1970s neck-tie, I was surprised to find only five separations plus the background, in spite of looking like a riot of colour. Naturally, working in Procreate or any application which uses layers, I keep one layer per colour and limiting the colours means putting a design into repeat is very much faster; if I can stick to four like this new pattern it makes life a lot easier. I find fewer colours make a more cohesive pattern and I enjoy the challenge of working within limitations, which is just as well with my comparatively archaic methods. My Redbubble shop has become a wonderful playground where I can see my patterns on a variety of products - I randomly present a framed art print and a pair of socks today!  Thanks for visiting, see you next week!
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Welcome to my illustration blog, where I share what I have been up to during the week.
I illustrate under the pen-name of Binky McKee, McKee being my mother's maiden name. Binky was the name of every single cat my great-grandmother kept - about 40 of them during her 94 years of life. Given that, I have no idea how Doggie with his dead-pan expression became my avatar instead of a cat - something to do with popularity on Instagram and lots of jokes with him! Currently I am working on illustrating a children's book, pattern making, and of course I can't resist a good Instagram challenge such as Folktale Week or Inktober. I hope you enjoy your visit! ~~~~~~~~~~~~~~~~~~~~~~
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I keep lots of scrapbooks and sketchbooks where I develop ideas and design little creatures. Here's a peek inside one ...
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As you may know, I am also known as Heather Eliza Walker.
Click the image if you would like to find out more and visit my other website. ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~
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September 2021
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This time, take a peek into my ceramic design sketchbook. I actually made some of the mugs, but I kind of prefer the drawings! The plate designs are painted on paper plates, a most liberating process.
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These watercolours are from my pattern sketchbook. I used coloured wax crayons to resist the washes of watercolour, also home-made rubber stamps dipped in bleach then printed on crêpe paper - the bleach takes out the paper dyes.
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A sketchbook I used for mark-making with unusual objects - corks, seed-heads, feathers, home-made rubber stamps, my fingers and lots of flicky things ...
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