Binky McKee Illustration
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The Weekly

19 May

5/19/2019

 
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A succession of hot, sunny days, watering the garden daily and witnessing the exuberance of peony roses, poppies, lily of the valley and all the other joy going on around me proved irresistible. I got out my pop-up tent and set up studio in the garden, the tent covered with a blanket for shade, and painted in the afternoons. These are 4 pages from my sketchbook, the same one as my Easter weekend work in April, when I made a change to my work method and wrote about how, at first, changing the approach to my work made me uncomfortable. I really didn't like it to start with, but now I am loving it.

I trained as a painter at art school in Edinburgh, Aberdeen and Chelsea School of Art, London, where I took my MFA in painting. I was represented by a gallery in Covent Garden, and also showed my work regularly in London galleries and at times in Europe. After graduating I had to find work, and it just so happened I ended up in design and applied arts, so drawing became my main focus. It wasn't hard because I love drawing and used to work in my Dad's architectural business during my school holidays; at school we were taught to draw in the William Morris and Aubrey Beardsley tradition. I also enjoyed the purpose of design.

Drawing is, of course, the backbone of my Heather Eliza work. The duality in my work methods was what prompted me several years ago to make a clear division and illustrate under the name of Binky McKee, with license to be as decorative as I wanted. At first I didn't really understand what I was doing and there were, naturally, a few crossovers between my Heather Eliza drawings and Binky work; but over time the divide widened. My Easter weekend work experiment of not filling in a drawn outline has widened the divide further as my instincts as a painter come into play.

It is a strange fact that the work I was making digitally last year in Procreate first reawakened my old painterly instincts. I was thrilled by what I could do when I got the app on my iPad, and it is still invaluable to me. I don't use line at all when I work digitally, but build illustrations in exactly the same way as I used to paint. I am still working on a children's book in this way, often incorporating hand painted images. Now my painterly instincts are wide awake once more - I might even make a whole painting on paper one day, rather than just design elements!

Thanks for dropping by, see you next week! 
If you would like to see my drawings you are welcome to visit my website at Heather Eliza Walker.


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    Welcome to my illustration blog, where I share what I have been up to during the week.
    I illustrate under the pen-name of Binky McKee, McKee being my mother's maiden name. Binky was the name of every single cat my great-grandmother kept - about 40 of them during her 94 years of life.
    Currently I am working on illustrating a children's book, pattern making, and of course I can't resist a good Instagram challenge such as Folktale Week or Inktober.

    I hope you enjoy your visit!
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    I keep lots of scrapbooks and sketchbooks where I develop ideas and design little creatures. Here's a peek inside one ...
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    As you may know, I am also known as Heather Eliza Walker.
    Click the image if you would like to find out more and visit my other website.

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    This time, take a peek into my ceramic design sketchbook. I actually made some of the mugs, but I kind of prefer the drawings! The plate designs are painted on paper plates, a most liberating process.
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    These watercolours are from my pattern sketchbook. I used coloured wax crayons to resist the washes of watercolour, also home-made rubber stamps dipped in bleach then printed on crêpe paper - the bleach takes out the paper dyes.
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    A sketchbook I used for mark-making with unusual objects - corks, seed-heads, feathers, home-made rubber stamps, my fingers and lots of flicky things ...
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