  Above, a new pattern in its first two colourways, and below, different colourways of last week's pattern inspired by a vintage tie. I have been thinking about why I love pattern-making so much, my interest is increasing rapidly with time. I don't really know, to be honest; I think it may relate to solving jigsaw puzzles, or crosswords, but it's worth noting the process: while the purpose and end results are quite different, the mental process is almost the same as in my drawings. In fact, pattern-making feeds into and assists the drawings. When you design patterns it is necessary to think about the motifs and the surrounding space - it's the only way I can express it, but you quickly learn how to avoid the irritating forms, line-ups or gaps which when put into repeat disrupt a pattern, so the up and down and left and right become vital to a successful composition. I can spot a no-no from a mile off these days! I suppose the devil is in the detail. I'm using this knowledge gained from applied art in my drawings and it makes me glad that I diverted into the two disciplines.  Comments are closed.
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Welcome to my illustration blog! I usually post here on Wednesday, sometimes adding extras to keep a work journal.
I illustrate under the pen-name of Binky McKee, McKee being my mother's maiden name. Binky was the name of every single cat my great-grandmother kept - allegedly about 40 of them during her 94 years of life. Currently I am working on illustrating a children's book, pattern making, and setting up a Spoonflower shop. I hope you enjoy your visit! ~~~~~~~~~~~~~~~~~~~~~~
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I keep lots of scrapbooks and sketchbooks where I develop ideas and design little creatures. Here's a peek inside one ...
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As you may know, I am also known as Heather Eliza Walker.
Click the image if you would like to find out more and visit my other website. ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~
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May 2022
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This time, take a peek into my ceramic design sketchbook. I actually made some of the mugs, but I kind of prefer the drawings! The plate designs are painted on paper plates, a most liberating process.
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These watercolours are from my pattern sketchbook. I used coloured wax crayons to resist the washes of watercolour, also home-made rubber stamps dipped in bleach then printed on crêpe paper - the bleach takes out the paper dyes.
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A sketchbook I used for mark-making with unusual objects - corks, seed-heads, feathers, home-made rubber stamps, my fingers and lots of flicky things ...
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